T. S Eliot
Author
Series
A Harvest book volume HB72
Appears on list
Description
The story of the murder of Thomas a Becket as seen through the eyes of the poet. A dramatization in verse of the murder of Thomas Becket at Canterbury.
Author
Description
These playful verses by a celebrated poet have delighted readers and cat lovers around the world ever since they were gathered for publication in 1939. As Valerie Eliot has pointed out, there are a number of references to cats in T. S. Eliot's work, but it was to his godchildren, particularly Tom Faber and Alison Tandy, in the 1930s, that he first revealed himself as "Old Possum" and for whom he composed his poems.
Author
Description
"There are no poetic 'subjects' in this book, no conventional nightingales and daffodils, and there is no acceptance, either, of the traditional rules of meter and rhyme. As one discerning critic has said: 'We have here, in short, poetry that expresses freely a modern sensibility, the ways of feeling and the modes of experience of one fully alive in his own age'.
"The main poem in this collection is 'The Waste Land' (1922) to which Mr. Eliot has...
Author
Pub. Date
1971
Description
The last major verse written by Nobel laureate T. S. Eliot, considered by Eliot himself to be his finest work
Four Quartets is a rich composition that expands the spiritual vision introduced in "The Waste Land." Here, in four linked poems ("Burnt Norton," "East Coker," "The Dry Salvages," and "Little Gidding"), spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and...
Author
Pub. Date
[1971]
Description
In addition to poetry, this book contains the complete text of Murder in the Cathedral, The Family Reunion and The Cocktail Party. Annotation. This omnibus collection includes all of the author's early poetry as well as the Four Quartets, Old Possum's Book of Practical Cats, and the plays Murder in the Cathedral, The Family Reunion, and The Cocktail Party
Author
Pub. Date
1967
Description
Between 1935, when Murder in the Cathedral was first produced at the Canterbury Festival, and 1958, when The Elder Statesman opened at the Edinburgh Festival prior to engagements in London and New York, Eliot had given three other plays to the theater. His paramount concerns can be traced through all five works. They have been said to be closely related, marking stages in the development of a new and individual form of drama, in which the poet...
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